Vol. 3 No. 3 (2017)

Articles

• Editorial note

  7-8

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-7-8

  Published: 15 May 2017

• Searching for new forms of collectivity: Ensembles and recitation choirs in Russian avant-garde theatre

  V. V. Zolotukhin (Автор)

  9-23

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-9-23

  Published: 15 May 2017

• Discussion about terms in the Theatrical section (State Academy of Artistic Sciences): On creating an analytical language of theatre studies

  V. V. Gudkova (Автор)

  24-44

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-24-44

  Published: 15 May 2017

• Proletarian theatre and the Comintern: Transnational context of the International Association of Workers' Theatres (1926–1932)

  O. V. Zaslavskaya (Автор)

  45-67

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-45-67

  Published: 15 May 2017

• Which War? Amateur Theaters Commemorate The Fortieth Anniversary Of The Great Patriotic War Victory

  Susan Elizabeth Costanzo (Автор)

  68-80

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-68-80

  Published: 15 May 2017

• Site-specific theatre: The documentary space of the performance

  E. I. Gordienko (Автор)

  81-96

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-81-96

  Published: 15 May 2017

• “Open space”: The spectator's place in contemporary theatre communications

  G. A. Shmatova (Автор)

  97-107

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-97-107

  Published: 15 May 2017

• Animated light painting: The public cabinets of camera obscura in St. Petersburg in the first years after the invention of photography

  A. A. Novik (Автор)

  108-125

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-108-125

  Published: 15 May 2017

• Proust's optics: Photographic vision as luxury

  K. O. Gusarova (Автор)

  126-151

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-126-151

  Published: 15 May 2017

• A constrained prelate: Political gesture in French memoirs (second half of the 17th century)

  A. V. Stogova (Автор)

  152-168

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-152-168

  Published: 15 May 2017

• One can write about theatre in different ways

  Vera S. Senkina (Автор)

  169-176

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-169-176

  Published: 15 May 2017

• From dawn to decadence (prologue)

  J. Barzun (Автор)

  177-186

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-177-186

  Published: 15 May 2017

• “Conversation with M. de Candale”, and two letters

  Maria S. Neklyudova (Автор)

  187-203

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-187-203

  Published: 15 May 2017

• “Grass grows from the middle”: Contemporary art as a space for exploring the social

  V. M. Sklez (Автор)

  204-208

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-204-208

  Published: 15 May 2017

• Conceptual compass for the social theater

  M. V. Kroupnik (Автор)

  209-215

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-209-215

  Published: 15 May 2017

• Beyond the aesthetical: Art as technologies of power and resistance

  K. O. Gusarova (Автор)

  216-218

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-216-218

  Published: 15 May 2017

• A stone of stumbling, or a rock of scandal? How to talk about theatre through psychoanalysis

  A. A. Arkhipova (Автор)

  219-234

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2017-3-3-219-234

  Published: 15 May 2017