Vol. 8 No. 1 (2022)

Articles

• Editorial note

  7-9

  Published: 15 January 2022

• From site to territory: Hypothesis about the in situ theatre landscape in France

  Aurélie Mouton-Rezzouk (Автор)

  10-26

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-81-10-26

  Published: 15 January 2022

• Stage practices in situ: Formation of value

  Daniel Urrutiaguer (Автор)

  27-41

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-27-41

  Published: 15 January 2022

• Between intervention and sharing: On the relationship of performances in public spaces to the milieu

  Elena I. Gordienko (Автор)

  42-65

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-42-65

  Published: 15 January 2022

• Intervention as a means to make a political theatre

  Kristina N. Matvienko (Автор)

  66-77

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-66-77

  Published: 15 January 2022

• Alone in the theatre: The phenomenon of a performance for a single spectator

  Yulia A. Kleiman (Автор)

  78-89

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-78-89

  Published: 15 January 2022

• “The Meeting” - “The Apartment” - “Conversations”: Politics of space in an inclusive project

  Aleksandra O. Dunaeva (Автор)

  90-106

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-90-106

  Published: 15 January 2022

• Performative practices in contemporary art and the funeral ritual (the case of the project “The Garden named after” by Artem Filatov and Alexey Korsi)

  Zhanna V. Vasilieva (Автор)

  107-123

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-107-123

  Published: 15 January 2022

• Between guided tour and dance: Experiencing the historical environment through site-specific performative practices

  Svetlana A. Kondratyeva (Автор)

  124-139

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-124-139

  Published: 15 January 2022

• Promenade “They met in Moscow”: Cultural recycling of the film in the scenery of VDNKh

  Natalia V. Semenova (Автор)

  140-160

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-140-160

  Published: 15 January 2022

• Theatrical research of laboratory discourse: Concepts, history of ideas, Russian context

  Yulia G. Liderman (Автор)

  161-175

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-161-175

  Published: 15 January 2022

• Tsvetaeva's tragedy Ariadne:Stage performance experience

  Dzhamilya D. Kumukova (Автор)

  176-189

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-176-189

  Published: 15 January 2022

• Deconstruction strategy and the search for life values in the film “Walkabout” (1971)

  Marina Torburg, Sergey Dobronravov (Автор)

  190-199

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-190-199

  Published: 15 January 2022

• War, succession, and courtly entertainments: Elizabeth I’s summer progress of 1591

  Anna Yu. Seregina (Автор)

  200-219

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-200-219

  Published: 15 January 2022

• Between character, novel and libel: A seventeenth-century French traveller’s view of English culture

  Anna V. Stogova (Автор)

  220-239

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-220-239

  Published: 15 January 2022

• One step closer to Shakespeare or a complete defiance of the arrogant Enlightenment (Shakespeare in A. W. Schlegel's interpretation)

  Elena M. Lutsenko (Автор)

  240-252

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-240-252

  Published: 15 January 2022

• Nomadic gallicisms, or French “migrants” in the English-speaking world

  Maria S. Neklyudova (Автор)

  253-260

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-253-260

  Published: 15 January 2022

• Ruins as an affordance

  Valeriy V. Zolotukhin (Автор)

  261-266

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2022-8-1-261-266

  Published: 15 January 2022