Vol. 5 No. 4 (2019)

Articles

• Editorial note

  7-8

  Published: 15 July 2019

• Laboratory and studio in early 20th century Russian culture: A typology

  K. Osińska (Автор)

  9-22

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-9-22

  Published: 15 July 2019

• Today we improvise: The “Skarskaya method” in the context of amateur theatre in early Soviet Russia

  V. V. Zolotukhin (Автор)

  23-35

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-23-35

  Published: 15 July 2019

• The Arbuzov studio: Autogenesis of a theatre

  A. V. Mashukova (Автор)

  36-54

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-36-54

  Published: 15 July 2019

• Experiencing the environment in Viacheslav Spesivtsev's amateur theater of the 1970s

  S. E. Costanzo (Автор)

  55-71

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-55-71

  Published: 15 July 2019

• Klim's Workshop at VOTM (All-Russian Association of Creative Workshops) (1989–1994) and principles of laboratory theater

  I. V. Vdovenko (Автор)

  72-90

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-72-90

  Published: 15 July 2019

• Theater experiment by Giedrius Mackevičius: Origin and some results

  E. V. Yushkova (Автор)

  91-106

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-91-106

  Published: 15 July 2019

• Spectator as laboratory assistant: The work of the Scientific Research Laboratory affiliated with the Meyerhold Theatre

  M. Ito (Автор)

  107-119

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-107-119

  Published: 15 July 2019

• Scientific seminar as theater laboratory. Theater laboratory as scientific seminar (Towards a theory of 1970s–1990s unofficial culture in the USSR)

  Yu. G. Liderman (Автор)

  120-131

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-120-131

  Published: 15 July 2019

• Cabaret as laboratory of director-centered theatre? The case of Reinhardt's circle: Gendered perspective. From “Schall und Rauch” to Elektra by Hofmannsthal

  N. O. Jakubova (Автор)

  132-148

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-132-148

  Published: 15 July 2019

• Alternative self-identification strategy in the theatrical field: Alexei Levinsky's “Theater” studio

  G. A. Shmatova (Автор)

  149-160

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-149-160

  Published: 15 July 2019

• Laboratory as one of the ways of life for documentary theatre:The Russian experience in the 2000s

  K. N. Matvienko (Автор)

  161-171

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-161-171

  Published: 15 July 2019

• Mysteries of “The Apartment” (On the question of methodology of theatrical study)

  A. O. Dunaeva (Автор)

  172-185

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-172-185

  Published: 15 July 2019

• House of culture as laboratory: The experience of self-organized circles of DK Rozy

  R. S. Osminkin (Автор)

  186-201

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-186-201

  Published: 15 July 2019

• HeterotRopical Arts Lab

  D. Lavrennikova (Автор)

  202-215

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-202-215

  Published: 15 July 2019

• Hasta, mudra, viniyoga. Hand gestures in Indian culture: Problems of origin and generation of meaning

  S. I. Ryzhakova (Автор)

  216-238

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-216-238

  Published: 15 July 2019

• “Kill time productively”: The transformation of crossword puzzles after Perestroika

  E. Vivich (Автор)

  239-259

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-239-259

  Published: 15 July 2019

• Show me how you dance, and I will tell you who you are

  E. S. Mikhailova-Smolniakova (Автор)

  260-266

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2019-5-4-260-266

  Published: 15 July 2019