Vol. 6 No. 4 (2020)

Articles

• От редакции

  7-8

  Published: 15 July 2020

• The Third Section as an institution for drawing boundaries between the “ordinary” and the “strange”: The “strange” files on the writer V. V. Krestovsky

  S.M. Voloshina (Автор)

  9-27

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-9-27

  Published: 15 July 2020

• Transformation of the concept of ut picturа poesis and the new formula of presenting history in Russian art: Discussion concerning the academic hierarchy of genres in the Russian press in the 1860s

  M.A. Chukcheeva (Автор)

  28-51

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-28-51

  Published: 15 July 2020

• “This is perverted, this is not normal”: Rationalizing aesthetic shock in the Manezh on December 1, 1962

  G.S. Zelenina (Автор)

  52-70

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-52-70

  Published: 15 July 2020

• Representations of magic, magicians, and knowledge of the “secrets of nature” in European culture of the early Modern period

  I.I. Lisovich (Автор)

  71-100

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-71-100

  Published: 15 July 2020

• Is gnetke a sleep paralysis? The unusual between folkloristic and medical classifications

  O.B. Khristoforova (Автор)

  101-125

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-101-125

  Published: 15 July 2020

• Rhetorical strategies of normalization in dream narratives

  S.M. Bardina (Автор)

  126-140

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-126-140

  Published: 15 July 2020

• Naive copies of artistic masterpieces: On the problem of perception of a “naive” sign

  A.V. Volodina (Автор)

  141-150

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-141-150

  Published: 15 July 2020

• The Truck of Doom as an instrument of fate: Characteristic features of plot construction in South Korean TV series

  A.V. Tarasova (Автор)

  151-169

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-20206-4-151-169

  Published: 15 July 2020

• A train from hell and the culture of brothels: What Gorky saw at the cinema

  K.O. Gusarova (Автор)

  170-193

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-170-193

  Published: 15 July 2020

• How to steal an image: Poetics of a plot in literature and cinema

  S.N. Zenkin (Автор)

  194-215

  • PDF (Russian)

  DOI: https://doi.org/10.22394/24129410-2020-6-4-194-215

  Published: 15 July 2020

• An early modern keyword in migration: The case of caprice

  Richard Scholar (Автор)

  216-229

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-216-229

  Published: 15 July 2020

• Giovanni Battista Bracelli's Bizzarie di varie figure: Metaphor and capriccio

  Liubava D. Chistova (Автор)

  230-244

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-230-244

  Published: 15 July 2020

• Cardinal de Richelieu's discovery of purple: Political and emblematic antecedents of a topos

  Maria S. Neklyudova (Автор)

  245-275

  • (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-245-275

  Published: 15 July 2020

• The undefined fashion: Constructing a fashionable way of life in late 17th century French engraving

  A.V. Stogova (Автор)

  276-305

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-276-305

  Published: 15 July 2020

• The autumn of transmedia

  E.G. Lapina-Kratasyuk (Автор)

  306-314

  • PDF (Russian)

  DOI: https://doi.org/10.22394/2412-9410-2020-6-4-306-314

  Published: 15 July 2020