Vol. 4 No. 3 (2018)

Articles

• Editorial note

  M. S. Neklyudova (Автор)

  7-8

• Anachronism and the limits of history

  A. A. Oleynikov (Автор)

  9-25

• Anachronism and historical discourse

  S. N. Zenkine (Автор)

  26-35

• Allegory as a mode of temporality in 20th century humanities: Anachronism as a cultural practice

  N. A. Kochekovskaya (Автор)

  36-58

• The photograph as ruin

  O. V. Gavrishina (Автор)

  59-67

• Fashion and time: The lifespan of things in Soviet and Post-Soviet Russia

  O. Yu. Gurova (Автор)

  68-96

• Samuel Pepys and solemn oaths

  A. V. Stogova (Автор)

  97-114

• Names of time: Epithets of decades in the Russian National Corpus as a projection of cultural memory

  A. A. Bonch-Osmolovskaya (Автор)

  115-146

• Projects to preserve personal memories: Digital archives and participatory culture

  E. G. Lapina-Kratasyuk, M. V. Rubleva (Автор)

  147-165

• Fashionable history: Writing the past in Modnyi Magazin

  K. O. Gusarova (Автор)

  166-194

• A view from the past. Representing the Other, or How to study the Other: Some trends in post-colonial studies and the ‘historical turn' through the eyes of a post-Soviet ‘Africanist' (1999)

  O. Yu. Bessmertnaya (Автор)

  195-212

• Beyond: The USSR of the 1930s through foreigners' eyes

  S. A. Eremeeva (Автор)

  213-230

• The Flâneur in Paris

  V. A. Milchina (Автор)

  231-246

• From imitation to refutation: The canonisation and decanonisation of the metaphor of a poetic monument in Russian literature

  Katherine A. New (Автор)

  247-274

• Russian theater between Catherine the Great's Thalia and Elizabeth's Melpomene

  M. S. Neklyudova (Автор)

  275-282

• Subculture, movement or stage: Two conferences on research into cultural groups

  D. A. Radchenko, M. I. Baiduzh (Автор)

  283-288