Vol. 12 No. 2 (2026)

Articles

• Neo-Renaissance in the works of T. Mann

  A. L. Volskiy (Автор)

  244-257

  • PDF (Russian)

  Published: 15 February 2026

• Critique of pre-revolutionary prose translations in K. I. Chukovsky’s High Art: Framing the problem

  E. I. Samorodnitskaya (Автор)

  87-99

  • PDF (Russian)

  Published: 15 February 2026

• “Olga met Tsirkur in the toilette...”: Is it necessary to shock the reader with archaisms?

  V. A. Milchina (Автор)

  27-41

  • PDF (Russian)

  Published: 15 February 2026

• Disinfection of actuality in Soviet translations

  M. Е. Baskina (Автор)

  61-86

  • PDF (Russian)

  Published: 15 February 2026

• “Word-play — a dangerous sport”? Elizabethan punning wit

  I. O. Shaytanov (Автор)

  207-218

  • PDF (Russian)

  Published: 15 February 2026

• Taras Bulba for mass culture: Modernization or archaization?

  M. V. Cherkashina (Автор)

  112-133

  • PDF (Russian)

  Published: 15 February 2026

• Prosodic archaization in translation from the French and the cognitive problem of the interpreter

  E. M. Belavina (Автор)

  100-111

  • PDF (Russian)

  Published: 15 February 2026

• Poetic monument to A. S. Pushkin

  V. A. Cherkasov (Автор)

  360-368

  • PDF (Russian)

  Published: 15 February 2026

• “Should we talk about Nekrasov now?”: Textual criticism and D.S. Merezhkovsky’s “Secret Vision”

  A. A. Kholikov (Автор)

  134-150

  • PDF (Russian)

  Published: 15 February 2026

• Genre polymorphism in the theatre of Alfred de Musset

  M. L. Andreev (Автор)

  232-243

  • PDF (Russian)

  Published: 15 February 2026

• On the question of the genesis of regional clusters of folklore motifs in Eurasia

  Yu. E. Berezkin (Автор)

  283-307

  • PDF (Russian)

  Published: 15 February 2026

• Archaization techniques in translation of military topics in French medieval texts: The Song of Roland and The Conquest of Constantinople by Geoffrey de Villehardouin (from the experience of translation)

  O. V. Smolitskaya (Автор)

  15-26

  • PDF (Russian)

  Published: 15 February 2026

• Manifestations of trifunctional ideology in A. S. Pushkin’s “The Tale of Tsar Saltan”

  F. N. Dviniatin (Автор)

  308-324

  • PDF (Russian)

  Published: 15 February 2026

• GLOKAIA SHCHERBA”: What, how, wherefore

  A. K. Zholkovsky (Автор)

  172-196

  • PDF (Russian)

  Published: 15 February 2026

• Shakespearean genre “on the countercurrent”. Regarding the dynamics of genre modifications in Romeo and Juliet: text and film adaptations

  V. Zubarev (Автор)

  219-231

  • PDF (Russian)

  Published: 15 February 2026

• Between heresy and orthodoxy: Language play and textual interpretation in Medieval Latin writings on Nemo

  S. I. Mezheritskaya (Автор)

  197-206

  • PDF (Russian)

  Published: 15 February 2026

• Generous farmers and public girls

  V. A. Milchina (Автор)

  369-377

  • PDF (Russian)

  Published: 15 February 2026

• Alcibiades’ green dog: On a certain cultural motif

  K. V. Dushenko (Автор)

  258-282

  • PDF (Russian)

  Published: 15 February 2026

• “A scheme of which the new is born”: Turkmen literary groups in the journal Turkmenovedenie (1927–1932)

  A. O. Burtseva (Автор)

  151-171

  • PDF (Russian)

  Published: 15 February 2026

• NFT art: New opportunities to unlock the creative potential of agency in culture

  I. A. Afanaseva, P. S. Sorokin (Автор)

  325-351

  • PDF (Russian)

  Published: 15 February 2026

• The memory and reputation’ of Horace in A. Pope’s Imitations of Horace

  O. I. Polovinkina (Автор)

  42-60

  • PDF (Russian)

  Published: 15 February 2026

• “To be, or not to be; that is the bare bodkin”: Popular literature in the mirror of academia

  M. V. Markova (Автор)

  352-359

  • PDF (Russian)

  Published: 15 February 2026